Viserys: “I do believe he has his father’s nose.” (upon viewing a baby that definitely does not have his “father’s” nose)Īlicent: “You are the challenge. Rhaenyra: “Yes, I should.” (as she stands up) Midwife: “You should remain abed, princess.” Just about everything said in this episode is believably “Westerosi” with the lines consistently rising to the heightened occasion that characters find themselves in. Some of the best lines are borrowed from Martin himself (like Alicent’s absolutely cutting take down of Laenor and his “children”) but many others appear to have arisen from the joint efforts of the writing staff in this script penned by Sara Hess. This is among the best-written installments of the show yet and the dialogue positively sings throughout. What follows is still a well-crafted hour that is positively dripping with raw, uncut, juicy, revolting drama. Granted, the rest of “The Princess and The Queen” doesn’t quite live up to the deliriously joyful highs of its opening act but nothing really could. In the span of roughly 10 minutes, House of the Dragon has effortlessly caught its viewers up on a decade of missing time, established the bona fides of several new actors, and set up the central conflict for the rest of the episode and beyond.
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Sooner or later you may get one that looks like you,” Alicent tells Rhaenyra’s silver-locked husband upon seeing a third consecutive child with a patch of brown hair. Martin’s funniest and most catty lines ever. It also helps that the opener culminates in the delivery of one of George R.R. Martin’s storytelling (the weight of shared history wrapping itself around characters’ necks like a noose) with the visual artistry of fundamentally good-TV making. “The Princess and the Queen’s” opening dispatch is a perfect House of the Dragon moment because it combines what’s best about George R.R. Tell your freshly labored wife about that time you took a lance to the shoulder, king. And Laenor…well, he’s just being his best self. Alicent’s malevolence is believably growing. Perhaps it goes without saying but D’Arcy, Cooke, and Senator Cory Bo…I mean John Macmillan are immediately superb in their roles. All of the wounds built up between Rhaenyra and Alicent in their youth haven’t healed but calcified to the point where the queen would demand to see the princess’s child the moment he was born without giving her one single second of rest.
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This opening scene (which may be the best thing the show has done yet, full stop) capably communicates just how exhausting the past 10 or so years have been for Rhaenyra. Here, however, House of the Dragon doesn’t appear to be aiming for excitement but rather exhaustion. Usually television deploys single-shot takes or “oners” to create a sensation of exciting perpetual motion for the audience. From the moment that Rhaenyra gives birth to her third son Joffrey to the moment she brings him to Alicent in her chambers, the camera never takes its eyes off of her. Corlys, meanwhile, will take matters into his own hands as he protects the wealth and power of House Velaryon that he has already earned, which has been made incredibly vulnerable by the trouble in the Stepstones.Though it might not be immediately apparent to the viewer because the technical execution is so seamless, the first 10 minutes or so appear to be shot in one take.
After relinquishing his occupation of Dragonstone and realizing Viserys will never change his mind about naming him heir to the dangerous Iron Throne, Daemon takes up Corlys’ offer in House of the Dragon episode 2’s ending, hoping it will be a way to achieve respect and glory outside of the Iron Throne. Corlys has now decided to wage war against the menacing forces in the Stepstones that threaten the shipping lanes, and has recruited Daemon Targaryen to fight by his side.Ĭorlys convinces Daemon to join him after relating to him as a “second son” of the realm a man whose power in the world isn’t simply given, and must be worked for on his own. Being spurned by his rejected marriage proposal wasn’t Viserys’ only slight to the Velaryons in episode 2, as he also refused to heed Corlys’ advice to take action against the Triarchy in the Stepstones. After Viserys announces that he’ll be marrying Alicent instead of Laena Velaryon, House of the Dragon season 1, episode 2’s ending sees Lord Corlys Velaryon find more glory and power for family elsewhere.
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